Henri Matisse - The Parakeet and the Mermaid 1952 (detail)
Colour dances, and our eyes dance with it … detail from Matisse’s The Parakeet and the Mermaid (1952). Photograph: © Stedelijk /© Succession Henri Matisse/DACS 2014

Scissors, paper, pins – these were all it took for Matisse, in the last years of his life, often bedridden and feeling he was living on borrowed time, to create the works that now fill a suite of galleries at Tate Modern. What a joyous and fascinating exhibition this is. I eat it with my eyes and never feel sated.

Ravishing, filled with light and decoration, exuberance and a kind of violence, Henri Matisse: The Cut-Outs is about more than just pleasure. It charts not simply the consummation of the artist’s long career but a kind of self-usurpation. In his last years, Matisse went beyond himself.

As well as the works themselves, there is film footage of the artist and his assistants at work, swatches of the hand-painted papers he used, and a wealth of photographic and other material to broaden our understanding.

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Adrian Searle
The Guardian

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