(Photographs by Marco Anelli)

Performance art, as currently practiced, emerged as an avant garde movement in the 1960s and ’70s, and some of its features made it difficult to visualize how it might make the transition from galleries and public spaces to the more institutional environment of the museum.

For one thing, the medium of the artist is his or her own body, sometimes nude or engaged in highly dangerous circumstances. Pictures of nude bodies doing dangerous things raise no such obstacles in a museum space, but performance art itself is real in all dimensions. Before it can be translated and presented in a museum, a number of problems, both practical and philosophical, must be worked out.

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Arthur C. Danto
New York Times

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