“The other day,” says Norman Foster, “I was counting the number of aircraft I’ve flown: from sailplanes and a Spitfire to a Cessna Citation. By chance, it comes to 75.” So Foster, who turned 75 this month, has decided to make models of all 75, to hang in his own personal museum, which he keeps at his Swiss home, an 18th-century chateau set in vineyards between Lausanne and Geneva.
These model aircraft will hover over his collection of some of the 20th-century’s greatest machines, cherished for both their engineering brilliance and streamlined beauty; many of them look like winged or wheeled versions of Foster’s most innovative buildings. “At the moment,” says the architect, “I’m restoring a Citroën Sahara, designed to tackle north African dunes. I’m also thinking of getting a Bell 47 helicopter as a focal point. And I’ve had a model made of the Graf Zeppelin airship.”