The German artist Anselm Kiefer knows how to put on a show. The dour and dusty copse of art with which he has forested the vast Gagosian Gallery in Chelsea may elicit awe, skepticism or disdain — or perhaps a conflicted combination of all three. But its initial power is hard to deny.
This is Mr. Kiefer’s first exhibition in New York in eight years and possibly the best he has ever mounted in the city, at least on his own terms. Those terms value theatricality, moral instruction and a variety of materials and objects — natural, artistic, industrial, found, made — employed with brutish verve.
New York Times