Opening reception, “Collecting Stories,” The Rose Art Museum, Brandeis University (photo thanks to the Slow Muse website).

The Rose Art Museum at Brandeis recently kicked off its 50th anniversary celebration with an exhibition called “Art at the Origin: The Early 1960s,” an event that a few years ago seemed to have been cut off at the neck with the announcement by then president Jehuda Reinharz that the museum would be closed and the collection sold in order to keep its host institution financially afloat. The exhibition highlights paintings acquired by founding director Sam Hunter, all of them new at the time—by artists such as Johns and Rauschenberg, Louis, Kelly, Warhol, and Lichtenstein—paintings that effectively, and in some cases controversially, identified the Rose with the art of our time. That identity persists into the present and is widely appreciated, as evidenced by “Collecting Stories,” the second part of the current exhibition, which is displayed in the museum’s spacious Lois Foster Gallery and consists of acquisitions by subsequent Rose directors during the past four decades, many of them by artists who, loud and clear, voiced their support for the Rose during the bleak months of its threatened demise.

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Carl Belz
Left Bank Art Blog

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