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A photograph by Dionisio González incorporating imagined skyscrapers and futuristic buildings in the city of Toledo, home to El Greco. Credit Dionisio González, via Ivorypress

When he arrived in Toledo in 1577, the artist Doménikos Theotokópoulos, better known as El Greco, never thought he would stay long. After he had been rejected by King Philip II as a court painter, he sought a lifeline in a city that was then Spain’s religious hub, building up a clientele among its clergy as well as noblemen, particularly for portraits and altarpieces.

But these altarpieces were expensive to produce and El Greco ended up fighting as many as nine separate lawsuits over payments. “He lived here deep in debt and circled by his creditors,” said Fernando Marías, an art historian and the curator of “The Greek of Toledo,” an exhibition that opened last month in the Museum of Santa Cruz here and is being presented as the largest-ever exhibition of the painter’s works.

Still, Spain is paying tribute this year to its adopted son with a multipart commemoration of the least Spanish of its great painters to mark the 400 years since his death, with several exhibitions, mostly held in Toledo but also in Madrid and Valladolid. In total, 125 works by El Greco will be on view in exhibitions across Toledo, in locations ranging from its magnificent cathedral to the private family chapel of Saint Joseph, which had never been opened to the public before. The painter is believed to have completed around 300 works.

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Raphael Minder
New York Times

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