On June 27 the Mauritshuis reopens in The Hague after two years of ambitious refurbishment and extension. And — I mean that as a sincere compliment to the director, architects, and staff — it’s almost exactly the same as it was before the 30 million euro reconstruction work was begun. But perhaps I’d better explain why that’s such a good thing.
The Mauritshuis is the perfect gallery of 17th-century Dutch painting. Perhaps on a crass masterpiece count it somewhat lags behind the Rijksmuseum in Amsterdam — though even there one could argue the point. Among its Rembrandt roster is the grisly “Anatomy Lesson of Doctor Nicolaes Tulp,” 1652, a group portrait of early surgeons, boldly investigating where more squeamish cultures hesitated to look: beneath the waxy skin of the cadaver of a deceased thief named Aris Kindt.