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The shipping of Leonardo da Vinci’s painting, the Mona Lisa, to New York for exhibition at the Metropolitan Museum of Art in 1963 was, according to [Robert] Hughes, the beginning of the descent of the art world–particularly the contemporary art world–into today’s big-money morass (as Hughes sees it) of collecting for profit, naked speculation, insincere or wrongheaded or diabolical reasons behind big-time collectors saying how they just love art, undeserved celebrity for mediocre-or-worse artists, and a general vulgarity and crassness among art-world players (especially those hand-holders to the rich connoisseur wannabes, art consultants). The downward slide was supposed to have worked something like this: Showing the Mona Lisa at the Met to long lines of people who could only glimpse it from a distance for a few seconds catered to unwashed pseuds who only wanted to “get it seen”; that led to a bunch of superficial, unsophisticated people flooding into an art world that consisted theretofore of a bunch of integrity-ridden bohemian artists, several dealers more interested in determining art history than making a profit, and a few enlightened, altruistic collectors; those ambitious vulgarians, who liked the parties and the “action” as much if not more than they actually liked art, started to take over; meanwhile, the advent of Pop Art and particularly Andy Warhol and his flaunted permissiveness, propelled the takeover to warp speed and near-total control.
Peter Plagens
ARTicles
Screams erupted from the 40-odd tourists jostling for position around Leonardo da Vinci’s enigmatic painted lady when the empty terracotta mug flew over their heads and smashed into the portrait.
The Russian woman is thought to have bought it minutes earlier at the museum gift shop.
However, the Mona Lisa’s enigmatic smile was unaffected by the commotion, as the mug bounced harmlessly off the bullet-proof glass shielding her and shattered on the floor, according to the team of staff paid to guard her.
“There was no damage done to the painting whatsoever,” a museum official told Le Parisien.
“Naturally the Mona Lisa is a carefully watched and protected painting. It is kept in a special sealed box to protect it from vibrations, heat and humidity. It is protected by thick glass resistant to bullets and any other object hurled at it,” he said…
Doctors were trying to assess whether she was suffering from Stendhal Syndrome, a rare condition in which often perfectly sane individuals momentarily lose all reason and attack a work of art.
Henry Samuel
Telegraph
Slow Painting 