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Anish Kapoor in front of Sky Mirror, Red, in Kensington Gardens. Photograph: Andrew Winning/Reuters

As a blood red sun appeared to rise over the Round Pond in Kensington Gardens, while a huge silver moon set over the Long Water lake, it was clear the challenge for the round-the-clock security guards will be to keep swans, dogs and children off the art, not any vandals or robbers who might be interested to learn that several million pounds worth of contemporary art has landed in the heart of London.

Anish Kapoor was almost as bewitched as the swans, even under the most Monday morningish of grey skies.

“The best site in London for a piece of art,” he said, looking across the water at the great grey stainless steel disc of his Sky Mirror, “probably in the world.”

While Kapoor’s giant pieces have been exhibited in the open air across the world and in many places in Britain, the last London saw of the Turner prize-winning sculptor was when he caused grievous bodily harm in the name of art to the Royal Academy, installing an engine forcing a giant block of crimson wax through narrow doorways, and a cannon which fired more blocks through another door until the room beyond looked like a particularly messy abattoir.


Maev Kennedy